Wednesday, April 30, 2008
Central Park
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Boris Willis
at
5:31 AM
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Tuesday, April 29, 2008
Movement does not speak for itself
I have been thinking a lot lately about the role of dance in my life. A thought has been forming in my head for a long time and it has to do with my idea of pre-futurism in dance. This is to say that dance does not need to stand alone in a theater. I saw the play Lord of the Flies at the Round House Theater choreographed by Kelly Mayfield and what she did with movement in the play was quite inspiring. What I liked about Lord of the Files was that there was a solid story, the acting was good and they moved well. The choreography made sense to what they were communicating and it was not over done but it was intricate and relevant and resolutely dance! The set, the costumes and the suspension of disbelief were all integrated in a well executed performance.
So often someone makes a dance about a subject and in the end the dancing is the least important part of the work. Why do we feel like we have to put movement to something that does not require a display of movement? You know what I mean, you look at a work and wonder why this is not a five second piece or done as another art form. Why not just make a work that does just that, a 30 second commercial. Is that not how our minds work? Why ramble on for 20 minutes saying nothing or saying the same thing over and over without using other non-dance devices to go deeper into the subject. Movement cannot say everything, so for all of you who repeat the line that movement speaks for itself, wake up, it does not.
My skills as a dancer and choreographer are valid skills that transfer to theater and visual arts. Dancers have skills that they just do not use and they put movement where something else would work better. Collaborate with yourself!
Posted by
Boris Willis
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9:44 AM
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Close to the Glass
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Boris Willis
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7:53 AM
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Monday, April 28, 2008
SUPA
SUPA
Neil Greenberg Susan Rethorst John Jasperse Jeanine Durning
WORKSHOPS BY CHOREOGRAPHERS FOR CHOREOGRAPHERS
July 7 - August 2, 2008
Intensive yet relaxed working situation - small groups - affordable -
located on the campus of Wilson College in Pennsylvania
Studio Upsun* in Pennsylvania - SUPA - is designed to provide
opportunities to engage in in-depth investigations of choreographic
practices. We have looked for rigorous and sophisticated choreographers who
are also interested in teaching and its relationship to making. We have
given them an entire week to work with a limited amount of students (max
14) via composition, repertory, mentoring, or any combination of practices
they feel useful. It is our hope that these workshops will result in a give
and take of knowledge and practice that is rigorous, personal, intense, and
intensely pleasurable.
*Upsun: (noun) the period between the rising and setting of the sun.
One week $330 plus room, discounts available.
For more information and/or to register, write to
susanr@ahk.nl, or visit www.wilson.edu/supa .
Posted by
Boris Willis
at
11:06 PM
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Damrosh Park
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Boris Willis
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1:04 AM
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Sunday, April 27, 2008
Gallery Doors
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Boris Willis
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12:54 PM
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Saturday, April 26, 2008
Friday, April 25, 2008
NYC Subway
As I traveled around NYC I thought that the subway was a great place to do a dance so I did one. David Morneau created the score for this one.
http://60x365.com
Posted by
Boris Willis
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12:29 AM
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Thursday, April 24, 2008
Meryl
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Boris Willis
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9:23 AM
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Wednesday, April 23, 2008
Earth Day
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Boris Willis
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1:16 AM
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Tuesday, April 22, 2008
Times Square
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Boris Willis
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12:39 AM
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Monday, April 21, 2008
Herald Square
Posted by
Boris Willis
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9:35 AM
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Sunday, April 20, 2008
34th Street NYC
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Boris Willis
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3:36 AM
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Saturday, April 19, 2008
Train
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Boris Willis
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7:30 AM
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Friday, April 18, 2008
Confucius Say: What . . .
David Morneau sent me a composition he calls Say What and low and behold if there was not a great big statue of Confucius that plopped down in the middle of the George Mason University campus. I decided to explore what Confucius said through movement.
http://60x365.com
Posted by
Boris Willis
at
6:27 AM
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